sunday porch visits.

 

 

It's Sunday morning for you, but Thursday night for me. Jordan is at a meeting, and I just finished cooking and eating shrimp I hope didn't go bad in my fridge. (Wish me luck.) I am feeling tired and happy and hopeful and sad and nostalgic and a little worried, too. I've had a lot on my mind for months, mostly Bookshelf related, but life related, too. This week, I told my therapist I just feel like a burden is resting right there on top of my shoulders; sometimes the content of the load changes, but what never changes is the matter of its existence. 

 

And so I am going to practice what Emily Freeman preaches. I am going to do the next right thing. I am going to clean the kitchen and get ready for bed. I am going to shut off the computer, and I am going to put my phone away. (Right at this moment, everything I have tried to do this evening -- upload a podcast episode, complete my anniversary gift to Jordan -- has failed, which is the universe's way of saying I need to stop already.) 

 

If you were on the front porch this morning, I'd want to ask your opinion about houses, how you know when it's time to move on from one to find another. While we're at it, I'd want to talk about the burdens we bear and how we know when to move forward and when to let go. I'd want to talk about 2020 and the hope she holds. I'd want to sit with you with a mug in my hand and pretend that we're the deepest and dearest of friends, because this is exactly the sort of thing we talk about best. 

 

Happy Sunday.

 

 
 

the holiness of mediocrity.

For the past two Mondays, I've joined a couple of friends at a "country fusion" class at the YMCA. My membership at Thomasville's YMCA had, up until this point, been a really nice monthly donation; I've been a handful of times with Jordan, but truthfully and not very shockingly? Gyms aren't my thing. And it's not for lack of trying; we've had memberships before. Gold's Gym in Tallahassee. The rec center in Birmingham. (The rec center I actually enjoyed because there was an indoor track. I truly don't know anywhere in Thomasville with the capacity for an indoor track.) 

 

I just don't know what I'm supposed to do at a gym. I'm far from an athletic person, but if I'm going to be forced into athleticism, I'd prefer an element of competition, a game of some kind. In college, Jordan and I both played intramural sports. I was terrible, but I loved it. Please, make me pull some flags or catch a kickball any day of the week, but do not make me run on a treadmill. What is even the point? 

 

My attitude is obviously less than stellar, which is why I stopped going to the gym and instead settled into a walking routine and did that 30-days of yoga thing way back in January. Then a friend called me out on Instagram and invited me to this country fusion class she'd stumbled upon at the Y. I had no earthly idea what a country fusion class might entail, but she said it was fun and they played Sara Evans' classic hit "Suds in the Bucket," so I was sold.

 

On the Monday night of my first class, it hit me that I'd never actually been to a fitness class before. Not a single one, ever. I'd looked into Jazzercise, but never got up the guts to go. I've done yoga and barre thanks to DVDs and YouTube, and I took a jogging class in college. But a room with mirrors like the ones you see on TV? That's a no from me, dawg.  

 

This is, it should be noted, why friends are important. I would never in a million years have gone to a class alone. I can do all sorts of things by myself: go to a movie, eat out at a restaurant, walk around my neighborhood, drive to mastermind retreats and fly to foreign countries, but walk into a class at the YMCA by myself? Absolutely not. 

 

But thanks to my friend's invitation and initiation, I went. I stood in the back row and quickly realized "country fusion" was a synonym for line dancing, and I am a terrible dancer. In college, my social club participated in something called Jamboree. (Please don't make me explain it to you.) There were choreographed dance moves, and I had to stay after each night to relearn everything alongside the other terrible dancer in our brother club. It was not at all humiliating. 

 

As Meghan Trainor's "No Excuses" began to blare over the room's speakers, I mimicked the instructor's steps, tripping over my feet and following one or two beats behind. I'd have it for a few minutes, then get lost. My fellow country fusion friends clapped along to the beat while somehow also maintaining the footwork, which in my mind made them capable of becoming Meghan Trainor's professional backup dancers. 

 

Here's the thing: I was so, so bad, but I was having so much fun. I was the worst one in the class, by far, but I was breaking a sweat and laughing at myself, and I didn't give up. If I missed a step, I'd take a second and wait until there was a step I knew. I was exercising, and I wasn't afraid to be bad at it.

 

By the time "Boot Scootin' Boogie" came on, I was an absolute mess, but it didn't matter. No one cared... and I always care. I am competitive and strive for excellence in almost every part of my life. I want to be seen as competent and capable. Let me be absolutely clear: There is nothing competent or capable about my performance in a Monday night line dancing class at the YMCA. Not one thing. 


I drove home this past Monday in a great mood because I guess Reese Witherspoon was right about endorphins. My life is stressful and my brain doesn't stop, but it turns out when I'm trying to follow the leader and learn the box step, my brain can't think about The Bookshelf or staff relationships anymore. It doesn't have room. All it can focus on is one step after the next, and I think that might be a grace. 

 

So I am really bad at something, and I'm doing it anyway. I'm not sure, but I'm wondering if there's a holiness to it, if an admission of incompetence and incapability is actually sacred. It weirdly feels like it, which makes my 5:30 Monday country fusion class a bit like church. 

 

Isn't that funny? Twerking in church. Who knew? 

 

 
 

reading, watching, and listening.

reading: I finished Trevor Noah's Born a Crime for the store podcast and started my book club's selection for the month, Fair Play. (I'd really like to read something for fun any day now.) Knox McCoy knocked it out of the park with his take on the John Crist scandal. This line killed me: "Because it mostly exists to comment upon / reinforce itself and in this way, Christian art is a bit like a fart giving an interview about its own smell. It is redundant and reductive precisely because it is a closed loop of inspiration and execution." GAH. So good. Also so good? This profile of Phoebe Waller-Bridge and Seth Meyers' By the Book in the New York Times

 

watching: We watched Seth Meyers' new comedy special on Netflix and laughed a lot, plus we watched Game Night and Big because sometimes it's fun to watch a movie in the middle of the week.

 

listening: I lost track of Mumford and Sons, but "Woman" is basically my favorite song a year after the fact. Also, you know what's legitimately really great? Kenny Rogers Radio on Spotify. Jordan and I listened while taking a Sunday drive last week, and it was perfect for meandering the back roads. More on this later, but I've also started listening to The Examen with Fr. James Martin, and I really like the practice. You might, too. 

 

 
 

helping me stay sane this week.

  1. Crystallized lemon in my water. (True Lemon, if you're interested.)
  2. A phone call with my brother.
  3. A hair appointment scheduled by my virtual assistant.
  4. The Examen prayer.
  5. Therapy.
 

 
 

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