Let's talk about the illusion of artistic genius. 
 

I continually fall into the trap of believing that what I create must be a pure, spontaneous, perfect expression of something deep inside. 
 

I often find myself rejecting the idea of planning, sketching, or practicing things before diving straight into a final piece, because in my warped view, “real” artists are so masterful that they can create beauty out of thin air.

Where did these limiting beliefs come from? It could be the way we venerate famous artists, as artistic geniuses who were simply born with innate talent. It could also be that the creative process is so often hidden from the world - only the best 10% is shown to the public on shiny websites and white gallery walls, while the rejects - the other 90% of work created - never sees the light of day. 

The truth is, Rembrandt didn't come out of the womb painting sublime portraits - it took him decades of study to master his craft. Another truth: most of what you create will end up in the trash, especially in the beginning.

For me, it's a hard truth to swallow, and it's really hard to remember when the ego is involved!

Whatever your creative interests - floristry, embroidery, cooking, painting - know that you're probably going to suck at first, but that's OK! Remind yourself that getting swept up in the process of creation is the whole point - the final result is just a side effect. 

French painter Odilon Redon is one of the most unique artists in history. Inspired by ancient mythology and Eastern religions, his works are otherworldly and dreamlike. For decades, he exclusively created black and white charcoal drawings and prints, that is, until he was drafted into the Franco-Prussian war. After returning home, his work took a drastic turn and became filled with color. He didn't see much professional success until he was in his 60s - a lesson to all of us that there's absolutely no rush to find success early in life! Art Historians consider his work to be a precursor of Surrealism. 

What I enjoy the most about his work is the imagination he infuses into his paintings. Even a vase of flowers takes on a dreamy aura, and they often look as if they're floating in space. His shapes are also quite simplified, they feel charmingly naïve to me. His work feels simultaneously timeless and modern (for the time period), which is something I hope to achieve someday in my own work.

I sincerely hope you enjoyed this email! If you have any thoughts to share or questions, please reach out on Instagram or reply to this email. I'd love to know if anything in particular captured your fascination.