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Does this view look familiar?
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                                                                         Photo credit: California Symphony and Sarena Hsu Giarrusso
 
You walk onto the carpet, your clarinets in one hand and music in the other, ready to play, and you see the chair. What happens next?! 
 
Does your preparation help you sing?  Why yes it does! 
 
Ok but we're not talking “that” preparation today. Because there are vast and plentiful audition resources out there. Just check out our list → here.  All offer thoroughly solid advice about what to focus on (like the three T's of tone, time and in tune), how to get your mind right, how to practice and record, what to do before and after your audition, who to play for and how often, personality quizzes so you can get to know yourself better, the ins and outs of propranolol (aka inderal or beta blockers), adversity training... and the list goes on.
 
 
It's Ixi here and, having just sat through 3 hours of auditions last week and knowing that many of you have your own coming up, am offering you 4 things that I hope can solidify all ^ that ^  preparation and give you a sense of grounding. Ready for it? 

 
Here are 4 Things to Bring to Your Audition 
 
1. The knowledge that the committee is FOR you! They WANT you to do well. They're not some sort of evil jury who is out to get you. It really truly is a supportive body of people. The cliché of "thank you, next" isn't true in 99% of cases.
 
2. Bring the boldest version of yourself. The most unapologetic you. The one that has conviction in your ideas, then performs with confidence of knowing your interpretation is the BEST.
 
3. The decision to take musical risks. This is challenging because our first instinct is to play it 'safe'. Play all the 'right notes' and we'll pass. Often playing in the box will backfire, leaving you giving the jury a monotone, I don't want to say boring, but boring rendition.  Instead, try finding your freedom of expression! Trust your prep and step out of that box.
 
4. Finally, don't think of the audition as a test. It's a performance, even if you start with demonstrating scales. In a performance, your goal is to communicate with, evoke emotions from, or engage with your audience. You can think of the audition as a way to make your listeners simply just have a better day. At the very least, your playing will be delivered with more joy. So, yes, bring your best “solo recital” mindset!
 
Bonus tip: Please, please, please, please, please, please, please. Don't suck all the life out of the music when playing at a piano dynamic.  Piano doesn't mean lifeless. Think of p being present, pleasing, polished, posh, pretty, powerful, perky... whatever floats your boat.
 
There you have it!  But wait, there's more!
 
 
Here's a clarinetastic bonus tip on reed selection:
 
And you'll welcome this news: You don't need a perfect reed!  
Find one that responds. It should have a nice heart, good spine and react when you think it will react! It doesn't need to be the reed with a particularly “special” sound. If it's clear, not toooooo soft, holds the sound and responds to both air and tongue starts, you're going to be fine. 
 
(Of course, if you have a bunch of reeds like to this to choose from, choose the one with that special color)! 
 
So, prepare and bring reeds that are little too soft, just right, and a little too hard. You never know what temperature, humidity, barometric pressure or altitude will do the way your reeds feel and react! 
 
Fun (or not so fun) fact: “Sound travels more slowly in cooler air. When the temperature drops by one degree Celsius, the speed of sound through air decreases by around two feet per second.” (Classic FM)
 
 
Auditions are part of a musicians life, and can look and feel different between school and pro. You can't control how they're run, what's asked, how the judges will vote, or how others will play - - but you can learn a lot about yourself, how you react to adversity, how you best deal with scary situations, and continue to evolve your approach.
 
I hope these 4 things help you with the latter!
 
Now, what else can help you audition better? 
 
//THRIVE// 
Our signature membership!! Yasss - we have polished this up, invited a new host (the brilliant Nick Photinos) and created three new exciting options starting at $9 for you to access training that addresses the whole human. We invite you to explore Thrive   → here 👀 !  For more, look for our emails about Thrive this week!
 
//THRIVE CHALLENGE// 
We're teaching live in our private online group for one more week. It's open to everyone, free, and if you missed the first 4 lessons, never fear, replays are up for you to watch. Here's what's coming up today through Sunday, at 4pm PT and 7pm ET. 
 
8/24 Day 5: MIND WELLNESS - Endless Possibilities
8/26 Day 6: HEART WELLNESS - Embracing the hard
8/28 Day 7: THE WHOLE YOU - Seeking and Creating Opportunity
 
We want you to feel empowered and confident in all aspects of life, whether it's being in the audition loop, or something else entirely!
 
 
 
Ixi & Tiffany
 
p.s Another GREAT audition resource lives right here at Music360! THE AUDITION LAB and PODS hosted by yours truly and Ralph Skiano here at Music360! It's a complete A-Z course on audition prep based on Skiano's book Behind the Screen, A Winner's Guide to Preparing for Auditions. Check it out!
 
 

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You know Rose 32 and 40 but do you know this?
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Thanks for reading. We aim to provide actionable ideas in our email newsletters, programs and content. Each week we share thoughts, ideas, questions, strategies and actions that we hope can move the needle for you in your life and career! Here's where we talk about why you're on our list (you signed up for a technique tip, a scale reset, a worksheet, a challenge, to get a printable, some tips, excerpt or practice help or resources), and that we'd love it if you shared some of our ideas with your friends. 
 
 
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