Did I set out with the intention of changing a cover an eye blink after release? Definitely no. Cover design sucks up waaaaay too much of my time.
Did I try something new (for me) with the original cover? Yeah, but I'm not mad about it. A ton of time and research went into that original look and it was cute and spanky and of the moment, though, after living with it for a few months, it just didn't feel like me…or Beckett and Sunny. Even though I love the way the artist drew Sunny for the original cover.
I know the current trends don't seem to love real people on covers…but I'm not ready to get rid of them. The funny thing about that is, when I was first starting out as an author, I was so emphatically against real people on covers. At the time, I loved objects and landscapes and abstract things. I loved flowers on covers, even if the book wasn't about flowers. And I still do! Give me all the flowery covers.
Cover art is such a weird, wonky element of our internal experience with books. And all of it is valid. We're multifaceted creatures with complex interests and schema to shape the way we interact with the world. Some of us have very strong schema on what is “right” for covers, especially spicy contemporary romance covers. It's okay. Might not be the experience shared by all but it's okay. We don't all have to like the same things in the same way, and there's absolutely nothing wrong with that.
Over time, as with all things, my perspective shifted. I love the women on the Walsh series books right now. It took years to collect all those images (side note: rebranding a long series is like remodeling your house. You'll always run into trouble halfway through and it always takes twice as long as planned. Let's not even start on the cost). I love the guys on the Vital Signs ebooks. There will never ever be a cover image more perfect for a character than the one for Dr. Stremmel on The Worst Guy. And at the same time, I really love the looks for In a Jam and the Santillian Triplets books. Lots of things can true at the same time.
So, this is a clunky way of explaining that I woke up one morning and decided to change the covers for Shucked. There's an ebook look and a paperback look, which isn't always my preference because I enjoy order, but it felt right for this book. Since we don't all have to like the same things in the same ways, it's okay if you prefer the original look. It's okay if you don't like any of them.
Covers are just the energy of the story--which can take many forms. The interior is the emotional experience.
Thanks for sticking with me through this little journey into my thought processes. I hope you're doing well. The world continues to be so much and I'm thankful that I can lose myself in books now (again/always).