The room grew quiet for a moment when the lights dimmed, but applause quickly broke out as soon as he stepped onto the stage.
This was the ninth and final concert in a year-long journey through the Beethoven Piano Sonatas (all 32 of them) performed by Eastman faculty member Alexander Kobrin.
Since September, he's presented a program of 4-5 sonatas in consecutive order on the 1st of each month, all from memory.
We were about to hear his first attempted public performance of Sonata No. 29 in B-flat major, Op. 106 (known as the Hammerklavier).
If you're not familiar with it, this piece is infamously difficult.
Though written in 1818, the Hammerklavier sonata wasn't performed publicly until 1836 (by Franz Liszt, the only pianist brave enough to attempt it), 18 years after it was composed and 9 years after Beethoven's death.
I flipped to the program note and reread the first line:
“The passage that opens the Hammerklavier perfectly embodies the elements on which the entire work is based: risk, the courage to respond to that risk, and the triumph of urgency.”
He played the two opening chords before the applause died down. Risk, courage, urgency. I perched on the edge of my seat, peering over the balcony rail, mesmerized.