Kat Cheairs Spring 2025 Newsletter!!
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Greetings, Everyone!
 
It's been a while since I sent out a newsletter and I hope to be more consistent this year, but also giving myself grace because life is challenging right now, and I think just doing the day is a triumph. 
  1. How are you? 
  2. What have been your go-to strategies to process your rage, grief, and anger?
  3. Where are you finding joy?
  4. What have you had to release and let go of to make more room for yourself?
  5. Who are the artists, thinkers, and visionaries holding you down in this moment?
My answers to these questions are:
  1. I am okay and taking things one day at a time.
  2. Emphatic prayer and meditation, letting myself feel the feelings and then let them pass through me.
  3. Walks in nature, and one-on-one hangouts with friends.
  4. A lot… but that's a different post for another time.
  5. In no particular order, Toni Morrison, Alice Walker, June Jordan, Sam Gilliam, Simone Leigh, Alma Thomas, Cleo Sol, FKA Twigs, and bell hooks.
Even though I knew what was coming, it is still hard. The speed at which things have occurred and the physical, emotional, and psychological violence of it all is at times overwhelming. I am a Black woman. I am a queer person. My community is mostly comprised of Black women, other people of color, and queer folx, including lesbian, gay, bisexual, non-binary, gender non-conforming, and transgender individuals. The reality is that war has been waged on our bodies for a long time now, but the use of the executive, legislative, and judicial branches of government to enact these attacks from all sides serves to roll back whatever small gains we have made to gain full citizenship in this country. What does it mean to have citizenship? Do I want citizenship? What would it mean to be (un) citizenable? What possibilities are contained there? These are just questions I am asking. There are multiple answers, and perhaps none at all. 
 
I have been attempting since 2016 actually of meditating on new strategies, leaning in to the (un) thought of myself and movement work. I am not sure the strategies we have used before are sufficient to pushback against this particular moment. I see a lot of the current activism fragmented into various camps and centering individuals instead of building coalitions across communities. There is something new every day and as long as our activism stays reactionary, I am not sure that creates the space for new activist paradigms to emerge. We also have to make space for exhaustion and safety. Some of us have been doing the work for a long time and are tired. Some people have to prioritize their safety. Instead of honoring capacity and safety, we have judged and critiqued others for how they are or not behaving as an “activist.” Visibility is also being privileged over less visible forms of activism. Tapping ourselves in and out at various times and honoring diverse approaches is part of a mutual aid framework. 
 
Some of that activist work will look like staying committed to your artistic practice, showing up, writing, and taking care of your mental health so you don't get pulled into the undertow of all that is happening. This is certainly true for me. Since the morning of July 5, 2021 when I found out my brother passed away from a heart attack just hours before. I have awakened every day since saying, “Well, my eyes opened this morning, so I guess I have to do the day.” As many of you know, I have been very open about grief and the grieving process these last few years. I have thought a lot as well about how in times of darkness, we are proselytized into having hope. I am not sure that hope is what wakes me up in the morning to do the day. In fact, I believe it is the generative possibility of grief and despair that urges me on. I don't think that the binary opposite of hope is despair. I believe that despair contains within it boundless lessons and information. 
 
For some, despair can be scary or even a sign that one has given up. I can say, that for me, this is not the case. I learned to paint with despair right by my side. I have completed almost three years of doctoral study with despair reading and writing with me. I started offering classes through the Makeda School for Art, Media, and Humanities with despair right there. Not shunned. Not unacknowledged. Not ignored. Not an interloper getting in the way of my progress. No. A welcomed friend and ally asking me to move from the deepest parts of my being. I am grateful for despair. It always tells the truth. Now, when I talk about despair, the knee jerk reaction for most people is to give me a pep talk, proselytize me into hope, or back away slowly. While these are understandable responses, they miss the point of what I mean when I speak of the generative power of despair. Again, I am not suggesting that despair is in a binary relationship with hope and joy but rather it's own persona with depth and care. 
 
So, if you are a person where there is a slightly heavy feeling at the center of your chest, it might be despair showing up and asking you to be with it. How best to approach it if it should come your way? Simply, breathe. Long, deep, slow breaths. Anytime of the day or night. The breath will carry you. After some time, it might share things with you. You get to decide what to do with it. You also don't have to hold your despair alone. I mentioned that many people will not be able to sit with you and your despair but there will be someone and/or a non-human animal or plant that can be with you in this relationship. After a while, it just exists in the background hum of everything. Despair has a pedagogy, an ontology worthy of respect and care. Its lessons allow me to meet this present moment with groundedness and understanding.
 
It might seem strange to spend time in a spring newsletter talking about despair but the seasons remind us that nature moves through the cycles of death, regeneration, and repair at regular intervals without fear or judgment.  
 
Ase. Amen. And, so it is.
Kat Cheairs Life Updates!!
Some highlights from the last several months!
  • I am wrapping a year long fellowship in May in the Education Department at the Whitney Museum of American Art examining their pedagogical strategies across multiple programs.
  • I will begin conducting public and private group tours tours of current exhibitions this month at the Whitney.
  • I am in year three of doctoral study in Art and Art Education at Teachers College, Columbia University!! I am set to officially propose my dissertation in Spring 2026.
  • I am exhibiting a visual artwork for the first time outside of the Macy Gallery at Teachers College. Girl Child's Chariot to the Cosmos, my first large scale painting and capstone project in my painting class with Dr. Olga Hubard at Teachers College is currently on view as part of a group exhibition at the Arthur Rose Museum at Clafin University in Orangeburg, SC curated by art education scholar and faculty, Dr. Indira Bailey. I am deeply honored and excited to have such a personal work in the show. Check out the promotional flyer and image of the work below!! I am hoping to attend the reception on Thursday, March 27th but currently lack the funds to go. If you are able to support with a donation for air travel (or frequent flyer miles if you have them) and one-night of accommodation in Orangeburg, SC, I would be immensely grateful. Funds can be sent via Zelle at cheairs.katherine02@gmail.com.
  • Lastly, I am going deeper into my scholarship and research. My focus has been on historical and contemporary Black women art educators' pedagogy and practice. However, recently, I have been turning that lens to my own practice through my pedagogy as it relates to the Makeda School, and as a cinematic arts educator. This turn requires a different level of vulnerability than I had expected to engage with at this point in my studies but the witnessing and encouragement of my faculty, colleagues, and friends have led me organically to this moment. I am looking forward to this new phase of my journey.
Makeda School Updates!!
Speaking of the Makeda School, I am happy to announce that I will be running the Say Your Name! Self-Portrait Experimental Video Workshop for Femme/Queer/Trans/Non-Binary Folx virtually during Pride Month! Registration will open mid-April!
 
I also have two new Makeda School courses in the works, an Introduction to Non-Fiction Filmmaking and Introduction to Black Feminist Theory Through Art, Film, and Literature for Fall 2025!
 
The work of the Makeda School as a “third space” for educational praxis seems more vital than ever before, and I will continue to press on. 
 
You can support my work with the Makeda School by becoming a monthly subscriber at whatever level you are able. It costs about $250 a month to maintain the website and other recurring fees associated with this project, irrespective of if I am running a class. Your support allows me to keep this work going, especially at a time when my income is more limited while I am a doctoral student.
 
Click here to become a Subscriber!

In closing, remember that you are not alone. Seen and unseen forces are always holding you. Our eyes opened this morning so that means our work is not done. 
There is nothing wrong with you. 
You are enough. 
Ase. 
Amen. 
And, so it is. 

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