A few months into self-employment I was approached ModCloth (!!!) who wanted to use my art on a collection of bedding. (They found some of my artwork on Society6 and reached out to me via email.)
Ā
This was my first ever collection line. Up until that point, I made one-off illustrations primarily for wall art.
Ā
I was so excited to work with them, but to be honest, I was kind of flying blind. I was clueless about the process of creating collections. Luckily, with the help of the buyer from ModCloth, I learned on the job. šŖš¼
Ā
This was one of my first big collaborations, and I was determined to make a name for myself as a commercial artist. So I paid close attention during every step of the process. (It paid off BIG TIME šš¼)
Ā
Hereās how it went down.
Ā
ModCloth gave me a list of current trends and asked me to weigh in. I told them I'd been seeing a huge rise in bohemian icons and I sent them a PDF of thumbnail sketches and ideas.
Ā
They decided to go with all my recommendations.
Ā
ModCloth continued to lead the way as we got into the nitty gritty details. They told me the printer they worked with used screen printing so I needed to create my designs with a limited color palette and consistent inking. This led to a cohesive color palette, and a consistent illustration style. I used a stylus dipped in India ink, then digitized and recolored the art in Adobe Illustrator.
Ā
I had no idea at the time that I was creating what Iād now call a āstrategic collection.ā
Ā
But those parameters ModCloth set taught me the three pillars of designing strategic collections: trend forecasting, multiple pieces following a central theme, and a cohesive style.
Ā
This collab opened my eyes to the power of collections. And most importantly, it taught me the exact things brands were looking for when working with artists.