You ever layer information and see how it changes people's reactions? For instance, if I said the name ‘Erwin Rommel’, would that only draw a blank from you? Let me add another layer: Nazi General Erwin Rommel. How about now? Does a mere label start firing our inner boos and hisses? Ok then, let me add a little more detail.
      Nazi General Erwin Rommel, revered and respected by American hero George Patton. That may not change your disposition, but it might perk your curiosity. Now let’s do one final round.
       Nazi General Erwin Rommel, revered and respected by American hero George Patton, who knew about the assassination attempt against Hitler…and did not report it before it happened.
      Has your opinion shifted yet again? Isn’t it fascinating how our thoughts and emotions are so quickly swayed with but a blip of information? Since I’m on the subject, let me tell you a brief story about the Field Marshal.
      Imagine the scene: Rommel stands on the balcony of his German estate, overlooking the countryside. Far in the distance, he hears the rumble of engines growing louder, angling closer. It’s not long after the failed assassination attempt, the one he knew of, kept quiet about, and likely supported. Rommel is battle-hardened – he understands risk and consequence. He knows who’s coming, and why. He knows what will happen when they arrive. They will exit their cars, march quickly up the long promenade. They will enter his home. The man in charge will carry two small capsules: one is made of brass and is loaded into a chamber, the other is a gel cap and inserts into the mouth. Of all the decisions Rommel has made over the course of his life, this will be his last.
      But right now, he’s standing on the balcony overlooking his beloved Germany. The sun burns bright in the October sky, the smell of autumn lingers in the air. His son Manfred stands beside him. And what is going through his mind? Perhaps tracing the question his boy asked not long ago, “Father, why do you fight for the Nazis?”
      And his response, at the time so certain. “All I have to do is look to the east.”*
       Can you imagine how rich we'd be, had they – instead of demanding a steady regurgitation of names and dates – taught us about history in the way our ancestors did? By telling stories full of complicated situations?
      And conflicted characters?
 
*How does one compare malevolence? If anything, I should think body count would be a valid metric. And if you think the Nazi’s were bad, Stalin’s gulags were the steroid equivalent. If you’re not familiar, go look up the numbers. They're staggering.
 
Danny Hankner
Danny Hankner
Editor-in-chief
 

 
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“Every great story begins with a snake." - Nicolas Cage (who probably approves this message)
 
WHILE YOU WERE READING
 
CAN AI DO THIS? 
 
     You don't have to be an American to celebrate our independence - on July 4th or any other day of the year. In fact, humanity should probably start banding together before Skynet becomes self-aware (or rather, let's us know it's self-aware), and we have to fight all over again for a new Independence Day. Until then, take a moment to enjoy the wacky, the absurd, the over-the-top elements that separate us from both animals and machines - like this video that's definitely, totally, 100% not our editor-in-chief. Just some loon on a big wheel, celebrating humanity in all our (in)glorious behavior. 
     Really, what's more human than that? 
 
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(compelling / fast-paced / immersive)
 
~Military Thriller~
 

The Rubicon
by Charles V Sasser Jr
 
 
The Breach
The map didn’t look like a revolution. It was just a municipal blueprint, curled at the corners and pinned down by a half-empty box of 5.56 ammunition. Under the single, swinging bulb of the safehouse, the red marker lines Miller had drawn appeared less like a tactical plan and more like an open wound.
     "You know what that line actually is, right?"
     Miller didn't look up. His pale eyes tracked the ingress routes with the terrifying, absolute calculation of a man who had long ago stopped seeing architecture, only kill zones. He kept his eyes on the breach point he’d circled three times. "Service entrance. Minimal surveillance. Shift change at 03:00."
     "It's the Rubicon, Miller."
     Garrick leaned against the peeling drywall in the corner. His plate carrier sat in a heap on the floor, a discarded shell. "Once we step across that threshold," Garrick said, his voice a gravelly whisper, "we aren't veterans anymore. We aren't 'concerned citizens.' We become domestic terrorists. Win or lose, that’s the label. There is no un-crossing that line."
     Miller finally looked up. His face was etched with the specific exhaustion of loving a country that didn't love him back. He tapped the map—right on the target building.
     "If we don't cross it, who will?"
     Garrick held Miller’s gaze. The silence in the room stretched tight enough to snap. The other men in the shadows—three of them, sitting on overturned buckets—stopped fidgeting. They waited for the verdict.
     Garrick didn't speak. He pushed off the wall, drywall dust clinging to his shirt like chalk, and walked to the gear.
     The tear of Velcro was deafening. A gavel slamming down.
     Garrick hefted the vest, checking the ceramic plates front and back with a mechanical rhythm. He slid it over his head, cinched the cummerbund, and picked up his rifle. The magazine clicked into the well—a metallic snap of finality.
     "Then let's get it done." Garrick wasn't looking at Miller anymore. He was looking at the door.
     One by one, the others stood. The heavy, mechanical rhythm of men armoring up consumed the room. The snapping of polymer buckles echoed against the drywall, punctuated by the cold, metallic clack of charging handles racking rounds into chambers. The cloud of moral debate evaporated, replaced by the cold geometry of a tactical team. They weren't debating treason anymore. They were checking corners.
     The air outside the facility was colder than the safehouse.
     They moved through the drainage ditch like ghosts, boots sinking silently into wet mud with the synchronized perfection of men who had already died together once. Ever since that sunbaked wall in Khost Province—when Aegis Solutions ran a risk assessment and decided an extraction chopper cost more than their lives—they had stopped fighting for a flag. They were fighting to break the ledger.
     The facility loomed above, a brutalist slab of concrete and black glass against the night sky. Perimeter halogens hummed with low, electric menace.
     Miller raised a fist. The line stopped instantly.
     The service entrance. The Rubicon.
     A hand squeezed Miller's shoulder. He didn't look back. It was Garrick. The squeeze said: I’m here. Into hell.
     Miller took a breath, tasting ozone and damp earth. He reached for the handle and felt the heat of the team stacked behind him.
     He tapped his headset.
     "Breach."
 
 
The Vacuum
     In the dead quiet, the hydraulic hiss of the service door was deafening.
     Miller didn't rush. He pushed through the doorway's “fatal funnel,” his weapon’s light cutting a blinding white cone through the gloom of the corridor. He snapped his rifle left. Clear. He snapped right. Clear.
     "Move," he whispered.
     The team filtered in behind him, a caterpillar of black gear and kinetic energy. Garrick took the rear, closing the heavy steel door behind them. The click of the latch sounded like the lid of a coffin sliding into place.
     Then: nothing.
     No klaxons. No shouting guards. No thud of boots on linoleum.
     The facility was a tomb. The air smelled musty, recycled—like floor wax and the faint, metallic tang of overheated servers.
     "Status?" Miller breathed into his comms.
     "Hallway clear," the point man, distinctively called 'Vegas', whispered back. "But boss ... it's wrong."
     Miller felt it too. The intelligence report had been specific: Two armed guards at the service desk. Roving patrol every fifteen minutes.
     There were no guards. The service desk was empty. A half-drunk cup of coffee sat under the monitor, a wisp of steam still curling off the surface.
     "Check the heat," Miller ordered.
     Garrick moved up, scanning the corridor with a thermal optic. He swept the hallway, the ceiling vents, the empty security booth.
     "Cold," Garrick said, his voice tight. "No heat signatures. No bodies. Just ... empty."
     They moved deeper. The silence wasn't peaceful; it was predatory. It pressed against their eardrums, heavier than the plates in their carriers. Every shadow looked like an ambush. Every blinking LED on a server rack watched them like the eye of a predator.
     Garrick rolled his heavy shoulders, his knees popping loudly in the quiet hall—the physical toll of a decade spent carrying doors and heavy armor. Beside him, Vegas was a bundle of nervous, kinetic energy, habitually spinning a multi-tool in his gloved hand. Elias, however, was just terrifyingly still. He didn't fidget. He just waited.
     They cleared the first checkpoint—a heavy blast door that should have been locked. It was standing wide open.
     Miller signaled a halt. He knelt, checking the floor. No scuff marks. No signs of a struggle. As if the staff had simply evaporated mid-shift.
     "They knew we were coming," Garrick hissed, moving up to Miller’s shoulder. "Pulled all personnel to lure us into a kill box."
     "Best place to ambush would’ve been the breach.” Miller glanced at the blast door, thinking. "No, Garrick, this isn’t a trap."
     "Then what is it?"
     "An invitation."
     Miller stood up. The objective—the main server room—was two floors down. "Tighten up. Check your corners. If anything moves and it isn't us, put it down."
     They descended the stairwell, the metal grates clinking softly under their boots. The silence stretched the nerves of the team thin. They were men used to chaos, to the deafening noise of war. This sterile, empty quiet was stripping away their adrenaline and replacing it with dread.
     They reached the bottom landing. The double doors to the server room were ahead.
     Unlike the rest of the facility, these weren't open. They were sealed. And spray-painted across the brushed steel, in hasty, dripping red letters, was a single message: YOU ARE LATE
 
The Architect
     Miller didn't hesitate. He hand-signaled for the breaching charge, but then stopped. The handle was already turned. The lock was disengaged.
     He kicked the door wide, sweeping the room with his muzzle.
     "Clear left!  Clear right!"
     The server room was a cathedral of data. Rows of black towers hummed with a deep, vibrating bass, bathed in the strobe of frantic blue status lights. The air here was freezing, kept chilled for the machines.
     In the center of the aisle, illuminated by the glow of a terminal, sat a single rolling office chair.
     In it, Director Vance.
     This was the man who ran the department’s internal security—the architect whose signature authorized half the covert ops of the last decade. He hadn't bothered with body armor. He simply sat in a charcoal suit, holding a tablet and looking utterly bored.
     "Miller," Vance said, his voice cutting through the hum of the servers. He didn't look up from his screen. "Your team’s response time is slipping. I unlocked the perimeter twenty minutes ago."
     Miller kept his rifle trained on Vance’s chest. "Secure him. Now."
     Vegas and Garrick moved in, zip-ties ready, but Vance just held up a hand. It wasn't a surrender; it was a command to pause.
     "Don't waste the plastic," Vance said. He tapped the tablet, and a heavy thud echoed from the floor above them. The sound of magnetic locks engaging on the stairwell doors. "I just sealed the exits you came in. You're not going back out the service entrance."
     "Give me one reason not to drop you right here," Miller growled, his finger taking up the slack on the trigger.
     "Because I'm the one who hired you," Vance said calmly. He finally looked up. His eyes were cold, hard flint. "You think a ragtag group of washed-out veterans gets within ten miles of this facility without me letting it happen? I cleared the roster. I disabled the sensors. I wrote the invitation on the door."
     Garrick paused, the zip-tie dangling from his hand. "Why?"
     "Because," Vance stood up, smoothing his jacket. "I can't leak the 'Project Omen' files myself. My clearance is logged on every keystroke. But if a rogue paramilitary team breaks in, holds me at gunpoint, and 'steals' the drive ..." He shrugged. "Then it's a tragedy. A security failure. And I remain the grieving Director who tried to stop it."
     Vance reached into his pocket. The team flinched, weapons tightening, but he pulled out a simple, silver flash drive. He tossed it through the air.
     Miller caught it with his free hand. It felt impossibly light for something that could topple a government.
     "That's everything," Vance said. "Troop movements, the illegal surveillance grid, the kill lists. It's all there."
     "You're defecting," Garrick said, realizing the magnitude of it.
     "I'm surviving," Vance corrected. "The wind is changing, gentlemen. I prefer to be on the side that holds the gun, not the side in front of it."
     Suddenly, the blue lights in the room turned a violent, flashing crimson. A siren began to wail—a high-pitched, drilling scream that vibrated in their teeth.
     "I just triggered the silent alarm to the National Guard post three miles out," Vance shouted over the noise. "They'll be here in six minutes. I suggest you leave via the sub-basement drainage output. It's tight, it smells like hell, but it's the only way out."
     Vance sat back down in the chair and crossed his legs. "Make it look real, Miller," he said. "Hit me. Break the nose, preferably. It sells the story."
 
The Weight of Justice
     "Make it look real," Vance repeated, leaning his jaw forward, waiting for the strike. "Break my nose."
     Miller beheld the flash drive in his hand. It was light, plastic, insignificant. Then he looked at Vance—the man who treated treason like a stock market transaction.
     Miller lowered his rifle.
     "You're right," Miller said softly. "We need to make it real."
     Vance smirked. "Good man. Make it quick, I have a press release to—"
     Miller reversed his grip on the rifle and drove the polymer stock into Vance’s face. It wasn't a theatrical tap. It was a vicious, calculated stroke. Bone crunched. Vance collapsed out of the chair, sprawling onto the anti-static floor, a heavy rush of blood instantly spilling down the front of his pristine white shirt.
     "Bag him," Miller ordered.
     Garrick blinked. "Boss?"
     "Zip-ties," Miller barked, his voice cutting through the wail of the siren. "Blindfold. Gag. He’s coming with us."
     Vance groaned, clutching his shattered nose, his eyes widening in genuine terror. "No ... no! You idiot! I’m your alibi! If I’m gone, they’ll know I leaked it! They’ll hunt you to the ends of the earth!"
     "They were going to do that anyway," Miller said, grabbing Vance by the collar of his expensive suit and hauling him up. "You don't get to be the victim, Vance. You don't get to spin this on the morning news. You’re not the witness anymore. You’re the evidence."
     Garrick’s grin was wolfish. He understood. He spun Vance around, cinching the plastic cuffs tight enough to cut circulation. "You heard the man. We’re going for a walk."
     "The sub-basement!" Vegas shouted from the doorway. "Four minutes out!"
     They moved. It wasn't the stealthy, synchronized precision of the approach. It was a chaotic, heaving struggle. Vance was dead weight, thrashing and muffled behind the gag, his heels dragging on the linoleum.
     They hit the stairwell, taking the steps two at a time. The red emergency lights pulsed against the walls like a heartbeat.
     Three minutes.
     They burst into the sub-basement. The air here was thick with moisture and the smell of raw sewage. The drainage output was a dark, rusted maw in the far wall, barely three feet wide.
     "Vegas, point!" Miller yelled. "Garrick, shove the package in. I’ve got rear guard!"
     Vegas dove into the pipe. Garrick threw Vance into the dark headfirst, ignoring the muffled scream, and crawled in after him. Miller took one last look at the heavy steel door behind them, leveled his rifle, and fired three rounds into the electronic keypad. Sparks showered the concrete. The lock fused.
     He scrambled into the pipe.
     It was a nightmare of claustrophobia. The water was freezing, rising to their chests, thick with slime and industrial runoff. Miller crawled on hands and knees, dragging his pack, his ears ringing with the phantom echo of the siren. Ahead of him, he could hear Garrick cursing and the wet, frantic splashing of Vance trying to resist.
     "Move!" Miller roared, his voice booming in the concrete tube. "Move or drown!"
     They crawled for what felt like miles, but was likely only three hundred yards. Miller’s lungs burned. His skin crawled from the filth.
     Then, a shift in the air. A draft.
     Vegas kicked out the grate at the end of the tunnel, and moonlight flooded in.
     They spilled out into the drainage ditch, gasping, covered in black sludge, shivering violently. They were a mile from the facility, hidden by the tall reeds of the marshland.
     Miller rolled onto his back, staring up at the indifferent stars. He wiped the muck from his eyes and sat up.
     Garrick was already standing over Vance. The Director was curled in a fetal ball in the mud, his suit ruined, his power stripped away. He looked small.
     Miller reached into his pocket and pulled out the drive. It was clean. Dry.
     "We crossed it," Garrick said, looking back toward the facility where the headlights of military trucks were just starting to swarm the perimeter. "We crossed the line."
     Miller looked at the drive, then at the prisoner.
     "Yeah," Miller said, standing up and shouldering the weight of his rifle, and so much more. "Now let's see if the country is worth saving."
  
~~~
About the author:
     Charles V. Sasser Jr. is a retired U.S. Army Command Sergeant Major and the author of the military thriller Led by Love of Country: Hard Reset. Over a nearly 30-year military career, he served as the 22nd Command Sergeant Major of the 1st Infantry Division and completed 75 months of combat deployments across Iraq and Afghanistan.
     Holding elite qualifications as a Ranger, Pathfinder, and Jumpmaster, Charles translates his firsthand experience in asymmetric warfare and tactical operations into gripping, authentic fiction. Beyond his writing, he continues to serve the defense sector as a Senior Training Executive, professional keynote speaker, and media analyst.

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(intriguing / resonating / psychological)
 
~Literary speculative fiction~
The Forgetting Room
by Hallow Blackwell
 
 
You pay in memory. That’s the rule.
     The alley doesn’t show up on maps. It isn’t always there. One moment it’s a brick wall between a barber shop and a closed laundromat. The next, it’s a narrow opening just wide enough for one person to step through. Too clean to be abandoned. Too quiet for the city.
     The first time Caine finds it, he’s been walking for hours without knowing where he’s going.
     At the end of the alley is a door. No number. No sign. Just a rusted handle that feels warm when he touches it.
     Inside is a small room. A chair. A counter. And a man with no face.
     Not hidden. Not blurred. Just missing, like the space where a face should have been was never finished.
     The man’s voice is calm.
     “What memory do you want to forget?”
     Caine doesn’t hesitate.
     “My child,” he says.
     The man nods once.
     “Be specific.”
     Caine swallows. His hands shake.
     “His face when he looked at me. His voice at night when the room is quiet. I don’t want to see it anymore. I don’t want to hear it. I don’t want to feel this.”
     The man places his hand flat on the counter.
     “You may choose what you give,” he says. “But you do not choose what I take.”
Caine doesn’t fully understand the rule.
     He agrees anyway.
     When he leaves the room, the alley closes behind him.
     And the name is gone.
     He knows he had a child. He knows that something was taken from his life that can never be returned. But the name no longer exists in his mind. The sound of it. The shape of it. Gone.
     It hurts less.
     That’s the point.
 
     The second time, Caine chooses to forget the last day they were together.
     The room with the soft lights.
     The steady machines.
     The chair pulled too close to the bed.
     The way time slowed while he waited for words he didn’t want to hear.
     This time, the room takes something without warning.
     When he wakes the next morning, he can’t remember his father’s eyes. Not the color. Not the way they narrowed when he was thinking.
     He hadn’t given that memory. It was taken.
     That’s when he understands the rule.
     You choose what you give.
     The room chooses what it takes.
 
     By the fourth visit, Caine stops asking questions.
     He names memories carefully now. A sound. A moment. The feeling of standing in a doorway that no longer exists.
     In return, the room takes things he never meant to lose.
     Street names vanish. Faces go blank. A woman at work speaks to him like they are old friends. He has no idea who she is. She looks hurt when he says her name wrong.
     He starts keeping a notebook.
     RULE: YOU CHOOSE ONE. IT CHOOSES ONE.
     RESULT: IT NEVER FEELS FAIR.
     The world begins to feel wrong.
     Buildings seem unfamiliar even when he’s sure he’s walked past them for years. Music playing in stores makes his chest tighten even when he doesn’t recognize the song. People react to him with recognition he can’t return.
     Once, on a train, a woman brushes past him and starts to cry. She says a name he can’t comprehend. He feels like he should know it.
     He doesn’t.
     That night he dreams of beeping sounds and wakes up shaking without knowing why.
 
     On the seventh visit, Caine tries to end it.
     “I want to forget everything,” he says. “Everything that hurts.”
     The faceless man tilts his head.
     “What would remain?”
     “I don’t care.”
     The voice stays calm.
     “You’ve already given me most of what matters.”
     When Caine wakes the next morning, he’s in a clean apartment he doesn’t recognize. No personal photos. No mirror that reflects him properly—only fog where his face should be.
     His phone has no contacts.
     On the kitchen table rests his notebook, filled with handwriting he recognizes but doesn’t remember writing:
     DON’T GO BACK
     REMEMBER TO REMEMBER
     He doesn’t know why he wrote it.
     The alley still finds him.
 
     The eighth time, Caine doesn’t offer a memory.
     He asks a question instead.
     “Can I get one back?”
     The room is silent, longer than usual.
     “You’ve been here before,” the man says.
     “I don’t remember.”
     “Exactly.”
     The man slides a Polaroid across the counter.
     A faded photo. Burned around the edges.
     A woman. A child. And Caine.
     He doesn’t recognize any of them.
     “You chose to forget the worst loss you carried,” the man says. “This is what it cost.”
     Caine’s hands shake.
     “What happened to them?”
     The man doesn’t answer.
 
     Two days later, Caine sees her.
     The woman from the photo.
     She sits on a bench in a park that feels out of place. At first, she doesn't look at him.
     “You said forgetting was the only way you’d survive,” she says. “You said staying would break you.”
     Caine swallows.
     “There was a child,” he says.
     “Yes.”
     “What happened?”
     She takes his hand and places something in his palm.
     A hospital bracelet.
     Folded once. Worn thin. His child’s name printed on it.
     Then she stands, walks into the trees, and doesn’t come back.
 
     That night, Caine returns to the alley.
     “If I take the photo,” he asks, “what happens?”
     “You remember.”
     “And if I don’t?”
     “Then you keep giving until there is nothing left of you worth taking.”
     Caine looks at the photo.
     The woman.
     The child.
     The bracelet framed in his pocket.
     He takes it.
     He thinks of the notebook on the kitchen table.
     He finally understands why he wrote it.
 
     The memories return all at once.
     The hospital room.
     The steady machines.
     The chair pulled too close to the bed.
     Small hands in his.
     Breathing that faltered.
     His legs give out. He drops to his knees. His hands shake so hard he can’t hold onto anything. His chest tightens until he can’t breathe. Tears flood his eyes before he realizes he’s crying.
     The name hits him like a blow.
     Clear.
     Sharp.
     Unavoidable.
     He folds over and sobs into the floor.
 
     When he wakes, the room is gone.
     Just a dead-end alley. A dumpster. No door.
     His reflection works again. He hates that it does.
     But he walks. Through a city that feels solid. People pass without crying. Lights change. Music sounds right again.
     Caine keeps the photo and the bracelet in his pocket.
     Not to forget. But because remembering is the cost of staying.
     You pay in memory. That’s the rule.
 
~~~
About the author:
      Hallow Blackwell is a writer of literary horror and speculative fiction. His work explores humanity through grief, trauma, identity, and memory. His writing attempts to blur the line between reality and the surreal. His current work focuses on the side effects of being human.

 
 
Interview with a Legend
 
“I have fought with networks, with producers, with directors, with editors–I have fought the world over. Now, I talk as a professional editor. I hate editors; they are always putting the reader down. And they say to me, over and over again that I expect too much of the viewer, of the reader, and I keep saying to them that a ten year-old child is brighter than they are.”
 
Best known for his Hugo-winning novel The Demolished Man, Alfred Bester was an American science fiction author, TV, radio, and comic scriptwriter, and magazine editor. Read the entire interview - preserved by Tangent Online - by clicking HERE.

 
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Stories: the only things that make sense
Dear Story Unlikely,
    I’m somewhere between losing and beginning again. Most days I wake up and feel like I’m walking through the echo of something that used to be whole. Some mornings the sunlight feels heavier than it should, like it’s pressing down instead of lifting. I’ve learned how to smile in public and disappear in private. How to hold conversations that sound normal, while somewhere deep inside, a quiet ache hums like a second heartbeat.
     I wouldn’t say I have a favorite kind of story anymore. I think I’m just drawn to anything that reminds me I’m not the only one trying to make peace with the pieces.
     I found Story Unlikely by accident or maybe accidents are how life gets our attention. Either way, thanks for the stories. Some days, they’re the only things that still make sense.
 
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Benjamin-Bede Ezichim Benorie

 
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The Excrement List
Disobey our submission guidelines, 
and find yourself amiss.
Disobey the guidelines,
wind up on the list.
(It's like when restaurants used to post bounced checks on the wall, but for the digital age)
 
As a publisher, we have rules that writers must abide by if they want to get published. Some of these aren't that big of a deal, but others, like ‘if you submit to our contest, don't submit this story anywhere else until the reading period is over,' or ‘don’t mark our emails as spam', are a major no-no.  Offenders get put on our ~dun dun dun~ Excrement List, aka lifetime ban on getting published. We keep this list to show people that - for once - we're not joking. Don't be like the perps below - you're much too savvy for that:
 
Gillian W, Cat T, Adam M, Olasupo L, Mick S, Leslie C, Patricia W, Tim V, Andrew F, Sam P, Aaron H, N. Kurts, Paula W, Marcy K, Mark301078, carnap72, N. Phillips,  A Bergsma, Sharon S., Mfaulconer, Mikeandlottie, Rebecca C, Nathaniel L, Maxine F, Patrick W, Brendan M, William S, Sandra T, Daniel L, Jennifer C, Chuck G, Salmonier, Bernie M, Stephan R, Elizabeth E, Lisa C, Bob E, Titus G, June T, Eileen W, Judy B, Salmonier, JTFloyd, Claes L, Hannah B, Janna B, T.Hutchings, Terry T, Diane B, Brenda B, Elizabeth L, Louise, B, Parker R, Kristopher C, Erik W, Olivia S, Constance B, RVBlasberg, Norma S, Jan S, Don H, Erik B, Gary W, Sheela J, Tuva O, Jim L, Richard O, Tim T, Terry A, Caroline F, and all the AI submitters too numerous to name here.
 
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