Typography pieces are incredibly valuable because they tend to translate well across many product categories. Think stationery, journals, phone cases, stickers, art prints, and even home decor.
For my typography piece, I wanted a phrase that felt broad enough to work across all of those categories. My goal was versatility.
One strategy I use often is what I call “generic positivity.” These are phrases that feel uplifting and widely appealing, which makes them much easier to license.
Cranes are a symbol of good fortune, so I chose “good luck” as my generic positivity piece. After all, one of my best selling pieces is a simple illustration that says “Good Vibes” that I drew in about a minute.
Good Luck references the crane’s symbolism of good fortune while remaining broad enough to work across a huge variety of products.
I also couldn’t resist adding the little smile between the two “O”s. It gave me something playful to do with the negative space created by the line break.
This lettering style has become one of my signature lettering styles that clients seem to love. The reason this lettering style works so well is because it has personality while remaining highly legible. It’s friendly, approachable, and has enough contrast that it’s very easy to read.