Visiting the Museo del Oro (Gold Museum) in Bogotá is an incredibly profound experience, especially for an artisan. For pre-Hispanic cultures like the Muisca, Quimbaya, and Tairona, gold wasn't a symbol of monetary wealth—it was considered the "sweat of the sun," a sacred metal that connected humans to the divine. Seeing the intricate craftsmanship of the Muisca and Quimbaya artisans up close reminded me why I started Olmox. Thousands of years ago, they were using lost-wax casting and hammering techniques to capture the divine.
When I sit at my bench to create for Olmox, I am pulling from these same roots. Every texture, every curve, and every polished surface is a tribute to the ancestors who mastered this craft before us. It’s not just jewelry; it’s a continuation of our history.
Here a little tour
One
These artifacts represent shamanic transformation. In many pre-Hispanic Colombian cultures, shamans would use gold adornments during rituals to spiritually transform into powerful animals (like bats, birds, or jaguars) to communicate with the gods, navigate the cosmos, and bring balance to their communities
Two
in this image we can notice a pectoral(chest ornament) and a Nariguera (nose ornament). From El Tambo, Nariño, famous for their precise geometric designs, contrasting metal color and use of movement.
third
In pre-Hispanic cultures, metallurgy was not just about creating static visual art; it was about creating a multisensory spiritual experience. Musical instruments, including trumpets and rattles, were central to rituals and are a recurring theme in the iconography of ancient gold. The sound wasn't just music; it was the voice of the divine
fourth
This was my daughter's favorite, She loves Jaguars. It was believed that the most powerful shamans could physically and spiritually transform into jaguars. Fiercely protect their community from evil spirits, cure diseases, and navigate the spiritual dimensions with agility and Navigate the spiritual dimension with agility and supreme strength.
Fifth
Symbols of Abundance: The repeating shapes often mimicked elements found in nature—such as seeds, shells, leaves, or animal teeth. By wearing dozens of these identical symbols around the neck, the wearer was projecting themes of fertility, agricultural abundance, and life.
Sixth
This picture relates to death and burial, specifically what archaeologists call an ajuar funerario (funerary trousseau or grave goods). These pieces were worn by living shamans, warriors, and leaders to reinforce their power, prestige, and religious authority.When they died, their personal, highly symbolic regalia was buried with them.
I will post a video (couldn't posted here) of the Ofrenda on instagram, the most incredible part of the museum.