Structured improvisation, i.e. practicing collective uncertainty. (I am in this photo. At least my ear and hand are.) |
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Artists practice freedom in meaningful, daily ways. When I say “freedom,” I don’t mean it the way it’s often used in America: I can buy whatever I want, drive wherever I want, get people to do things for me. That’s not freedom, that’s power. Freedom is not merely different from power, it often contradicts it. |
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Freedom means I can think and create for myself. My mind and choices are my own. I can question how things are seen, and see them differently. I can imagine possible futures and build toward them. |
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True freedom scares most people, with good reason. To be untethered can feel like falling. It demands a comfort with uncertainty, with not knowing. Artists practice uncertainty, often so instinctively and for so long that we take it for granted, forgetting how rare and vital it is. |
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And we model it for others. Artists offer those around us living proof that you can move toward freedom, you can seek what is essential rather than what is safe or convenient. |
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A dear artist friend who lived through authoritarian rule in her home country told me this recently: “We created spaces of freedom, sometimes just in our homes, sometimes larger. We kept alive our culture, our ways of being together, especially for the young ones. No regime is forever, and we won by keeping alive what they most wanted to crush.” I think of artist studios as spaces of freedom: The consensus agreements and rules are suspended, and other agreements can be proposed, explored, remembered. |
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Art making is not decorative. It is not a luxury. There are things your artistic practice reveals that won't be brought to life any other way. There are ways artistic practice alchemizes and digests the world that are particular and, I believe, essential in moments of conflict and crisis. Culture is how people have always made sense of the world, how we quite literally survive. Take away certain professions and roles, and humans would be worse off. Take away artists, and I doubt humans would still be at all. |
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In the clash between the opportunistic, frantic purveyors of hate and those who practice freedom, I stand with—and more importantly I have faith in—practitioners working slowly, working at the root. This is what I am thinking of today. Rather than setting aside artistic practice because other urgencies are at the forefront, I wonder how we might bring artistic practice to those urgencies, and vice versa. |
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I wonder if our next steps might go through our practices of freedom, rather than away from them. |
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Vermont lakes thaw slowly and erratically in the spring, leading to forms like this: ice that isn't flat. |
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I am writing to you because you took an Artists U workshop or downloaded Making Your Life as an Artist. Focus and attention are essential to artists, so if these emails take up your time without giving you something in return, please do hit the unsubscribe button and go make art. Also, out of respect for you and for myself, I only send an email when I have something to say. |
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4624 Osage Ave Philadelphia, PA 19143, USA |
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